Fairefolk: The Beginnings (a novella)

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In late , Gaiman released a new children's book, The Graveyard Book. It follows the adventures of a boy named Bod after his family is murdered and he is left to be brought up by a graveyard. In September , Neil Gaiman announced that he had been working for some years on retellings of Norse mythology. Gaiman wrote the BBC dark fantasy television series Neverwhere.

In addition, he wrote the localised English language script to the anime movie Princess Mononoke , based on a translation of the Japanese script. He cowrote the script for Robert Zemeckis 's Beowulf with Roger Avary , a collaboration that has proved productive for both writers.

He was the only person other than J. Michael Straczynski to write a Babylon 5 script in the last three seasons, contributing the season five episode " Day of the Dead ". Gaiman has also written at least three drafts of a screenplay adaptation of Nicholson Baker 's novel The Fermata for director Robert Zemeckis , [80] [81] although the project was stalled while Zemeckis made The Polar Express and the Gaiman- Roger Avary written Beowulf film. Several of Gaiman's original works have been optioned or greenlighted for film adaptation, most notably Stardust , which premiered in August and stars Charlie Cox , Robert De Niro , Michelle Pfeiffer and Claire Danes , directed by Matthew Vaughn.


A stop-motion version of Coraline was released on 6 February , with Henry Selick directing and Dakota Fanning and Teri Hatcher in the leading voice-actor roles. In , Gaiman it was announced that after ten years in development, the feature film of Death: The High Cost of Living would finally begin production with a screenplay by Gaiman that he would direct for Warner Independent.

Don Murphy and Susan Montford are the producers, and Guillermo del Toro is the film's executive producer.



Seeing Ear Theatre performed two of Gaiman's audio theatre plays, " Snow, Glass, Apples ", Gaiman's retelling of Snow White and " Murder Mysteries ", a story of heaven before the Fall in which the first crime is committed. Both audio plays were published in the collection Smoke and Mirrors in Gaiman wrote an episode of the long-running BBC science fiction series Doctor Who , broadcast in during Matt Smith 's second series as the Doctor.

In , it was announced that Gaiman would be writing the script to a new film version of Journey to the West. In , Starz greenlighted a series adaptation of Gaiman's novel American Gods. Bryan Fuller and Michael Green write and showrun the series. In September , Gaiman and Terry Pratchett joined forces with BBC Radio 4 to make the first ever dramatisation of their co-penned novel Good Omens , which was broadcast in December in five half-hour episodes and culminated in an hour-long final apocalyptic showdown.

November 30, 2005

Gaiman frequently performs public readings from his stories and poetry, and has toured with his wife, musician Amanda Palmer. In some of these performances he has also sung songs, in "a novelist's version of singing", [] despite having "no kind of singing voice". In , Gaiman delivered a minute lecture for the Long Now Foundation entitled How Stories Last about the nature of storytelling and how stories persist in human culture. In February , when Gaiman had completed writing American Gods , his publishers set up a promotional website featuring a weblog in which Gaiman described the day-to-day process of revising, publishing, and promoting the novel.

After the novel was published, the website evolved into a more general Official Neil Gaiman Website. Gaiman generally posts to the blog describing the day-to-day process of being Neil Gaiman and writing, revising, publishing, or promoting whatever the current project is.

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He also posts reader emails and answers questions, which gives him unusually direct and immediate interaction with fans. One of his answers on why he writes the blog is "because writing is, like death, a lonely business. To celebrate the seventh anniversary of the blog, the novel American Gods was provided free of charge online for a month. Gaiman is an active user of the social networking site Twitter with over 2. Gaiman lives near Menomonie, Wisconsin , United States and has lived there since Gaiman moved there to be close to the family of his then-wife, Mary McGrath, with whom he has three children: Michael, Holly, and Madeleine.

Gaiman is married to songwriter and performer Amanda Palmer , with whom he has an open marriage. One of Gaiman's most commented-upon friendships is with the musician Tori Amos , a Sandman fan who became friends with Gaiman after making a reference to "Neil and the Dream King" on her demo tape. He included her in turn as a character a talking tree in his novel Stardust.

Neil says hi by the way" , [] "Space Dog" "Where's Neil when you need him? Have him read, 'Snow, Glass, Apples' where nothing is what it seems" , [] "Sweet Dreams" "You're forgetting to fly, darling, when you sleep" , [] and "Not Dying Today" "Neil is thrilled he can claim he's mammalian, 'but the bad news,' he said, 'girl you're a dandelion'". Amos penned the introduction for his novel Death: the High Cost of Living , and posed for the cover.

In , Gaiman was contracted by Todd McFarlane to write a single issue of Spawn , a popular title at the newly created Image Comics company.

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In issue No. Prior to this issue, Spawn was an assassin who worked for the government and came back as a reluctant agent of Hell but had no direction. In Angela, a cruel and malicious angel, Gaiman introduced a character who threatened Spawn's existence, as well as providing a moral opposite. Cogliostro was introduced as a mentor character for exposition and instruction, providing guidance.

Medieval Spawn introduced a history and precedent that not all Spawns were self-serving or evil, giving additional character development to Malebolgia , the demon that creates Hellspawn. As intended, [] all three characters were used repeatedly throughout the next decade by Todd McFarlane within the wider Spawn universe. In papers filed by Gaiman in early , however, he claimed that the characters were jointly owned by their scripter himself and artist McFarlane , not merely by McFarlane in his role as the creator of the series. McFarlane initially agreed that Gaiman had not signed away any rights to the characters, and negotiated with Gaiman to effectively 'swap' McFarlane's interest in the character Marvelman [] McFarlane believes he purchased interest in the character when Eclipse Comics was liquidated; Gaiman is interested in being able to continue his aborted run of that title but later claimed that Gaiman's work had been work-for-hire and that McFarlane owned all of Gaiman's creations entirely.

The presiding judge, however, ruled against their agreement being work for hire, based in large part on the legal requirement that "copyright assignments must be in writing. The Seventh Circuit Court of Appeals upheld the district court ruling in February [] granting joint ownership of the characters to Gaiman and McFarlane.

On the specific issue of Cogliostro, presiding Judge John C. Shabaz proclaimed, "The expressive work that is the comic-book character Count Nicholas Cogliostro was the joint work of Gaiman and McFarlane—their contributions strike us as quite equal—and both are entitled to ownership of the copyright". This legal battle was brought by Gaiman and the specifically formed Marvels and Miracles, LLC , which Gaiman created to help sort out the legal rights surrounding Marvelman. Gaiman wrote Marvel in to help fund this project. Gaiman returned to court over three more Spawn characters, Dark Ages Spawn , Domina and Tiffany , that are claimed to be "derivative of the three he co-created with McFarlane.

Gaiman's work is known for a high degree of allusiveness. The comic also draws from numerous mythologies and historical periods. He concludes that Gaiman is "utilizing works, characters, themes, and settings that generations of scholars have identified and classified as Gothic, Clay Smith has argued that this sort of allusiveness serves to situate Gaiman as a strong authorial presence in his own works, often to the exclusion of his collaborators. David Rudd takes a more generous view in his study of the novel Coraline , where he argues that the work plays and riffs productively on Sigmund Freud 's notion of the Uncanny , or the Unheimlich.

Though Gaiman's work is frequently seen as exemplifying the monomyth structure laid out in Joseph Campbell 's The Hero with a Thousand Faces , [] Gaiman says that he started reading The Hero with a Thousand Faces but refused to finish it: "I think I got about half way through The Hero with a Thousand Faces and found myself thinking if this is true — I don't want to know. I really would rather not know this stuff. I'd rather do it because it's true and because I accidentally wind up creating something that falls into this pattern than be told what the pattern is.

From Wikipedia, the free encyclopedia. English fantasy writer. Mary McGrath m. Amanda Palmer m. Neil Gaiman's voice. Play media. Main article: Neil Gaiman bibliography. Saturday Live. BBC Radio 4. Retrieved 18 January Archived from the original on 22 October Retrieved 26 July Comics Buyer's Guide. Iola, Wisconsin. Archived from the original on 30 October The Guardian.

Archived from the original on 26 October Retrieved 26 June BBC News.

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  8. Archived from the original on 11 September Retrieved 25 June Archived from the original on 2 April Retrieved 27 December New York, New York: St. Martin's Press. Neil Gaiman's Journal. Archived from the original on 11 March Retrieved 16 January My paternal great-grandfather came to the UK before ; and he would have come from Antwerp. The Argus.

    David Gaiman quote: "It's not me you should be interviewing.